Thursday, 23 October 2025

Read an excerpt from UGARIT (Tales of a Lost City) by Janet Tamaren


UGARIT
(Tales of a Lost City)
By Janet Tamaren


Publication Date: September 2nd, 2025
Publisher: Historium Press
Pages: 334
Genre: Ancient Historical Fiction


A captivating tale of bravery in the face of heartbreak and upheaval.


IN THE SPRING OF 1190 BC, on the sun-drenched shores of the eastern Mediterranean, the thriving city of Ugarit pulses with life, trade, and courtly intrigues. But danger brews beyond its walls.


Yoninah, a gifted healer, offers herbs and amulets to ease her neighbours’ suffering. When a Mycenaean – an ex-soldier from the Trojan War—stumbles into her life, he reawakens memories she thought long buried. Just as whispers of war echo ever closer.


Meanwhile, in the royal court, Thut-Moses is a scribe who was trained in the temples of Egypt. The king is paralyzed by ominous messages: foreign invaders are razing one coastal city after another. As the tide of destruction nears, Ugarit’s fate hangs in the balance.


Torn between loyalty and survival, love and duty, Yoninah and Thut-Moses must each decide: what will they risk to protect what the hold most dear?


Rich with historical detail and inspired by newly-translated cuneiform tablets unearthed form Ugarit’s ashes, Ugarit: Tales of a Lost City brings to life the final days of a cosmopolitan world on the brink of collapse – a sweeping tale of courage and resilience at the twilight of the Bronze Age.



Praise

"A masterfully told tale-rich, riveting, and utterly transporting. I couldn't put it down."

Historical Fiction Review


Trailer


Excerpt

CHAPTER 3: THE KING’S FEAST

A week after the unnatural darkening of the sun –the serpent god’s attack on the god of the sun, according to the Egyptian astrologer—Thut-Moses and the King had mostly put the event behind them. More pressing matters demanded their attention. To wit, a royal feast.

The kingdom was hosting a grand feast in the Great Hall of the Palace. Prominent diplomats and merchants from neighboring kingdoms were invited. Most had arrived by ship. Spring began the season for commerce and travel on the Great Sea. The spring winds were kinder to sailing vessels than the storms of winter.

Thut-Moses, as the King’s scribe and aide, would be the King’s eyes and ears for the event and would make sure that everything went smoothly. The King trusted him. He knew that he had won the King’s trust by always being deferential in speech, always careful of the King’s feelings. The Nubian had been taught well at the scribal school, which had educated him in the ways of courtly life as well as in languages.

As the various diplomats and their aides gathered in the Great Hall, Thut-Moses welcomed them at the door. He made a memorable sight, with his height, ebony skin, and his fine robe of many colors. His features were even and pleasing. His face was clean-shaven. In fact, as a
eunuch, his face was always clean-shaven. Eunuchs were unable to grow facial hair.

**********

At the dinner party, Thut-Moses brought the visitors to where the King sat, on a fine chair at one end of the hall. As the King stood to greet his visitors, Thut-Moses noted that His Majesty made a fine picture, dressed his royal robes with their stripes of purple. Although Thut-Moses did notice a few ceases adorning the King’s otherwise pristine forehead. 

“It is a pleasure to see so many friends sitting down together for a feast!” the King said.
 
As the usual babble of voices started up, with the conversations between one diplomat and another, Thut-Moses took a moment to appreciate the luxury of the event: pedestals throughout the room displaying golden statuettes of Baal, intricately designed pottery from the Aegean. There were potted palm trees and chattering monkeys scampering in their branches. There were golden wine goblets for each guest. Serving girls brought out plates of cheeses, olives, and bread and a meal of kid goat prepared in goat milk.

As dusk was falling, torches were lit in the hall. And the guests were given a last goblet of wine, as the after-dinner entertainment began.

**********

David the Bard

Strumming on his lyre, David, the King’s bard took center-stage and prepared to sing and play his instrument. With dark curly hair, flashing dark eyes, and a charming smile, David was a handsome young man. Thut- Moses smiled as he looked at David, as the bard’s antics often amused him.

Thut-Moses knew that the King’s favorite part of any dinner party was the entertainment that followed. He would drink a goblet of sweet red wine and listen to David play his lyre.

Also enjoying the music were the two royal wives arrayed in their finery and jewels. Thut-Moses thought the two of them looked splendid. Both dressed to the height of fashion, with fine robes in the royal purple and blue, with kohl on their eyes and crimson on their cheeks, and their hair swept up in ornate bronze pins.

Thut-Moses was friends with the First Wife and shared a smile with her.

After a brief prayer to Baal, there followed a bawdy love song from the Egyptians. Thut-Moses appreciated the subtlety of this arrangement. An Egyptian love song made an excellent
bridge between the different countries represented by his guests. It provided a means of crossing all cultural boundaries and appealing to Hittite, Cypriote, and Egyptian alike. The ballad named body parts and expressed endless yearning on the part of the young lovers.

Seated in front of the group, David strummed a few notes on the lyre. A young woman appeared. With brown skin, slender arms and legs, and a fine-boned face, she appeared Ethiopian. Dressed in a tunic of the finest linen, nearly translucent, in the Egyptian style; she wore a red scarf around her hips, with small bells attached. The dancer proved a mesmerizing sight as she undulated the music.

She started singing, with David playing the lyre. Her voice was clear and strong. She danced to the music as well, with movements of her hands, swaying of her hips, and tapping of her bare feet.

I am dark, from the desert, baked dark in the desert sun. But my beloved, he seeks me out, he calls me.

Where is my beloved? I go to look for him.

He is tall like the cedars of Lebanon. His legs are like pillars of fine marble.

His hair is black with wondrous curls. His lips are ripe like a pomegranate.

I seek him in the streets. I seek him in the gardens. Have you seen him, O daughters of the city?

My heart yearns for his touch. My ears ache for the sound of his voice.

David then strummed another chord and sang the man’s response. Thut-Moses noted the guests’ evident enjoyment of this musical interlude. He thought, “No surprise there, given the number of cups of wine they have drunk.”  

The evening wound down after that. Pleasantries were exchanged all around. The diplomats were heading off to the chambers provided for them, for the duration of their stay in the kingdom.

The King was also evidently pleased with the evening, Thut- Moses watched as he bid his wives good night and went off to spend time with a young concubine, which was a predictable effect of the Egyptian love poems.

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Janet Tamaren


Janet Tamaren is a retired physician who practiced for two decades in rural Kentucky. Now living in Denver with her husband, she enjoys writing and is the author of a medical memoir and a guide to Hebrew Bible stories.

She began writing UGARIT during the COVID lockdown.

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Friday, 17 October 2025

Read an excerpt from Under The Sword (The Rival Courts) by Luv Lubker




Under The Sword
(The Rival Courts)
By Luv Lubker



Publication Date: July 14th, 2025
Publisher: Historium Press
Pages: 414
Genre: Historical Fiction

From acclaimed Victorian historical author, Luv Lubker, the author of "Under His Spell" comes the continuing romance of the Princess Royal Victoria and Frederick III of Prussia.

Join Queen Victoria's eldest daughter and her husband, future German Emperor Frederick III in this third installment of The Rival Courts family saga, as they climb the treacherous path to their dream of German unification in the Franco-Prussian war of 1870.

In the calm after the storm, Vicky and Fritz have it all: a devoted marriage, a growing family, and the promise of a bright future. But Fritz's Uncle Karl lies in wait behind the scenes, hatching his newest plot. A shocking outcome of Vicky's Royal duties will bring fresh doubts to Fritz's heart, and his fatherhood.

As personal tragedy strikes and shakes them to their core, Fritz is forced to lead the largest battle history has ever seen. One which could change the face of Europe forever.

Vicky's best friend struggles to shield her daughters from the sinister force that seeks to control them. The youngest shares her grandfather's uncanny ability to know the truth behind others' motives. But can she see the truth in him? In such a dangerous world, what heroic role will this small child play?

Can they escape the danger and betrayal that lurks in every corner as they travel to the icy expanse of Russia, the peaceful Mediterranean shores, and the vast Eastern deserts?

Will Vicky and Fritz's love and marriage survive a mysterious illness, or will Uncle Karl's conspiracies tear them apart for good?

Fans of Clare McHugh's A Most English Princess, Mary Hart Perry's The Shadow Princess, and Daisy Goodwin's Victoria will be swept away by this gripping tale of love, war, and intrigue. With rich historical detail and deeply human struggles, Under the Sword, the third installment of The Rival Courts saga, brings to life the triumphs and tragedies in a fight against a nefarious trade which flourished in the shadows of the Royal court. A must-read for lovers of Victorian-era royal fiction.

Excerpt

The carriage drove on, almost silently, the padded wheels making soft noises in the grass and autumn leaves. There had not yet been any snow. Everything was black; every shining part of the harness was covered; the coachman was dressed in dull black. Four cloaked figures sat inside, a young woman dressed in deepest mourning, her face buried in her handkerchief, and, huddled next to her, were three little girls. A single small trunk sat behind them.

“Mama,” the eldest girl said, “Where are we going?”

“I do not know yet, Mariechen. We must arrive in Anhalt if we can, and I shall decide further then.”

“Is Charlotta in the trunk?” the youngest girl asked quietly, as if speaking to herself.

“What do you mean, Louischen, how would she be?”

“The little girl in the glass over my bed. I always kiss her goodnight. And I didn’t… before we left.” The little girl tried to control a sob.

“Oh,” the other girl groaned, rubbing her eyes. She had fallen asleep between the other two. “Mama, can we not stop? I think I’m going to be sick,” she murmured.

“No, Ebi, we must go on, as far as we can tonight. And I want you to be very careful when we do stop. Stay together, and don’t call each other by your names – but do not use your titles either. We must think of some other names to use. We don’t want anyone to recognize you.”

“But, we will go home, won’t we, Mama?” Louischen looked up at her, her big eyes filling with tears again. “Will we see Aunty Vicky and Uncle Fritz again before we go on? Why were they crying when they came here? Why were you crying, Mama?”

“Ach, meine lieblings, what can I tell them?” the woman sobbed to herself. She thought of the goodbye which had taken place a couple of hours before, when she had embraced her friends and cousins, the Crown Prince and Crown Princess, for what might have been the last time. “Gott be with you, am wiedersehen, Marianne,” Fritz had said, with the kindly look he always had for her as he squeezed her hand, but there had been sorrow in his eyes at the same time. Vicky had thrown her arms around Marianne impulsively, and kissed the little girls goodbye, clinging particularly to Louischen.

Marianne looked down at her three daughters with a lump in her throat; three such small, pitifully helpless morsels of humanity. Ebi, thankfully, had not been sick. Marianne’s heart twisted at the sight of her sweet little face as her head leaned on her sister’s shoulder, her mouth dropping open as she drifted off again.

She sadly shook her head. No, she thought, you will never see Aunty Vicky and Uncle Fritz again. She covered her face with her hands. She could never bring her little girls back to Berlin as long as her husband and his father lived.

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Luv Lubker


Luv Lubker began life in the Animal World, researching creatures great and small since before she can remember, and earning her degree in chicken psychology by age twelve. Not long after, she immigrated to the Victorian era, where she has lived half her life in close company with the Brontë sisters and made friends with Queen Victoria’s extended family, whom she now knows quite as well as her own kin.

Born in a cattle trough in the Appalachian Mountains, Luv currently resides in Texas’ Great Plains when visiting the modern world. When she isn’t writing or reading, she delights in preparing and savoring gourmet raw food with her family and exploring nature on long bike rides. Her special abilities include researching in seven languages and riding a unicycle since age seven.

Luv’s research delves into the unwritten stories that history left behind. Through unpublished letters, altered manuscripts, and deeply buried secrets, she reveals emotional truths concealed beneath the era’s refined exterior. Her novels give voice to the silenced, reveal what Victorians were taught to suppress and what their biographers chose to omit, tracing invisible scars that shaped lives, choices, and history itself.


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Wednesday, 15 October 2025

Read an excerpt from The Boat on the Lake of Regret by Christy Matheson


The Boat on the Lake of Regret
By Christy Matheson


Publication Date: July 15th, 2025
Series: The Castle in Kilkenny: Fairy Tales Book #6
Publisher: Buttercup Books
Pages: 210
Genre: Historical Fantasy / Fairytale Retelling


He has one last chance to be a fairy tale hero.

But she didn’t agree to be the damsel in distress.


When her longtime boyfriend unexpectedly slides a ring on her finger, Hannah is whisked from her everyday bedroom to a medieval ball. Hannah knew that Dylan would do anything to prove to her parents that he’s husband material, including going into the Fae world—but she never agreed to go through the Veil herself.


Now one of three princess sisters, Hannah is paired with now-Prince Dylan. But, homesick and blindsided, she pretends the Veil has wiped him from her memory.


As her prince scrambles in vain to be the right kind of hero, Hannah ignores her instincts and follows her new sisters onto a mysterious boat—which promptly sails them into a land of giants, magical traps, and enchanted pianos…and away from Dylan.


Read now to journey back to medieval Ireland, complete with the Fae and mythological monsters, in this fairy tale adventure and sweet "it was always you" romance.


Excerpt


Piano:


As soon as she turns away, Nuala makes a face at Mór, who rolls her eyes. It is such a sisterly thing, like I used to imagine with my dolls.


It hits me then. This is more than a history lesson put on for tourists. Their banter feels very real—two sisters and a long-standing argument…About whether the Protestant Reformation happened. 


Because it hasn’t yet. Because I’m in an Irish castle in 1536. There is no audience, no tourists, no wires camouflaged against the wall to power security cameras and an automatic sprinkler system. 


There is a piano, though. 


How did that get here? Maybe I noticed it wrong, because pianos aren’t even invented yet. Maybe it’s…an organ. Or a black shiny swoop-shaped cabinet.


It might be rude, but I need to walk over for a closer look. It’s not a piano, it can’t be—but if it was, everything would be better. If there is a piano here, I could belong. I could make it through the evening—or however long I’m stuck here.


I duck and weave through the people gathered around the king and his family. It is! The piano is a little off to the side, and once I reach it, I finally take a real breath. I open the fallboard, and the familiar pattern of black and white soothes me. I adjust the bench, shaking back yards and yards of linen so my feet can emerge for the pedals. 


I’m not thinking, and …when my mind stops working, my hands and heart know what to do. 

I go straight into a Schubert impromptu, the notes rippling out. I take it a little too fast, my whole attention pulled in as the patterns whirl under my fingers, putting more dramatic ritardando into the cadences than my professor likes. I can sense the group turning to me, their collective pleasure, and the melody sings even more powerfully under my flying fingers.


My left hand fourth finger sparkles. Dylan’s ring. I will examine that later, but for right now, I just play. 





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Christy Matheson


Characters you connect with. Adventure. Love. Family… And endings that are more than a sugar rush.

When Christy Matheson is not throwing ordinary characters into fairy tales, she is busy raising five children. (Very busy.) She writes character-driven historical fiction with and without fantasy elements, and her “fresh, smart, and totally charming” stories have won multiple awards.

Christy is also an embroidery artist, classically trained pianist, and sews all of her own clothes. She lives in Oregon, on a country property that fondly reminds her of a Regency estate (except with a swing set instead of faux Greek ruins), with her husband, five children, three Shelties, one bunny, and an improbable quantity of art supplies.

Author Links:

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Read an excerpt from UGARIT (Tales of a Lost City) by Janet Tamaren

UGARIT (Tales of a Lost City) By Janet Tamaren Publication Date: September 2nd, 2025 Publisher: Historium Press Pages: 334 Genre: Ancient Hi...