Wednesday, 15 September 2021

Book Excerpt: Island of Gold (Sea and Stone Chronicles) by Amy Maroney #HistoricalFiction #BlogTour #CoffeePotBookClub @wilaroney @maryanneyarde

 


Island of Gold 
(Sea and Stone Chronicles)
By Amy Maroney



Publication Date: September 8, 2021

Publisher: Artelan Press

Page Length: 380 Pages

Genre: Historical adventure and romance


1454. A noble French falconer. A spirited merchants daughter. And a fateful decision that changes their destiny forever.

When Cédric is recruited by the Knights Hospitaller to the Greek island of Rhodes, his wife Sophie jumps at the chance to improve their fortunes. After a harrowing journey to Rhodes, Cédric plunges into the world of the knights—while Sophie is tempted by the endless riches that flow into the bustling harbor. But their dazzling new home has a dark side.


Slaves toil endlessly to fortify the city walls, and rumors of a coming attack by the Ottoman Turks swirl in the streets. Desperate to gain favor with the knights and secure his position, Cédric navigates a treacherous world of shadowy alliances. Meanwhile, Sophie secretly engineers a bold plan to keep their children safe. As the trust between them frays, enemies close in—and when disaster strikes the island, the dangers of their new world become terrifyingly real.

With this richly-told story of adventure, treachery, and the redeeming power of love, Amy Maroney brings a mesmerizing and forgotten world to vivid life.
Excerpt
Spring, 1440
Bruges, Flanders

Cédric descended the steps of the inn with care, his head still pounding from last night’s excesses. Mist clung to the rooftops, its cool dampness sending a chill through him. He had one more matter of urgent business before he returned to Auvergne. The sooner he could unburden himself of the gold coins in his purse, the better.

He crossed to the canal that lay opposite the inn. A family of ducks glided a stone’s throw away, the ducklings paddling furiously to keep up with their mother. He smiled a little, grateful for a moment of peace, and began his trek to the harbor.

Just ahead of him, a city alderman and his entourage of notaries and servants entered the street from an adjoining lane, their dark caps bobbing like a flock of errant crows. Cédric quickened his stride, skirting past the group.

He passed a row of warehouses as the morning sun burned through the mist. A familiar figure exited one of the buildings, young cloth merchant Gregoire Portier of Toulouse, whom he’d met during his first stay in Bruges. They had shared a game table last night in a tavern not far from here. Portier was trailed by an older man in a fur-trimmed cap and a short black cape. “How goes it, my friend?” Cédric called out, approaching the duo. “Good morning!” Gregoire’s bloodshot eyes were the only evidence of last night’s revelry on his smiling face. He turned to his companion. “Papa, this is Cédric de Montavon, falconer to a count of Auvergne.” Cédric nodded to the elder Portier. “It’s a pleasure to meet you, sir. Are you enjoying your visit to the north?” “Exceedingly.” The man inspected Cédric with interest. “Falconer, eh? You must have tales to tell.” “A few.” The three men fell into step together. “Any more word of the Venetian fleet?” Cédric asked. Last night at the tavern, before Grégoire had disappeared with a brightly painted courtesan on his arm, he’d passed along gossip that Venetian merchants were nearing Bruges. “No,” Grégoire said, squinting against the sun. “A new rumor came out of the cloth merchants’ guild this morning. It seems the fleet was waylaid by pirates in the Bay of Biscay.” Cédric looked at him in dismay. “I pray the gossips are wrong. I’d hoped to be among the first to see their wares today.” “I know. We’re eager to get our hands on Syrian silks, and the Venetian fleet can usually be relied upon for a good supply,” Grégoire said. “What do the Venetians carry that you seek?” “Items of silver,” he answered vaguely, unwilling to share more details. He liked Grégoire, but the man had a wagging tongue. “Never fear, other merchants will come from the East. The Catalans can usually be counted on to show up with valuable goods at better prices.” “If you like your wares pirated,” Grégoire said with a grin. “For the right price, I don’t care how their goods are sourced,” Cédric replied. “The Venetians aren’t above piracy either, though they’d never call it that.” The threesome arrived at the harbor’s edge, where the alderman and his attendants stood discussing the missing fleet in worried tones. Cédric sighed. How long would his return to Auvergne be delayed? “It seems my errand must wait.” He shaded his eyes with a hand, pointing to a nearby barge. “If you’re in no hurry, join me for a few rounds of cards. The captain of a Norwegian ship anchored down the river in Sluys has a hospitable game table. That barge makes the journey twice a day, for a reasonable price.” “Would it please you, Papa?” Grégoire put a solicitous hand on his father’s shoulder. “There’s nothing I’d enjoy more,” the elder Portier said. * At Sluys, dozens of ships were anchored in the harbor, their goods destined for barges returning to Bruges. The men followed Cédric aboard a battered-looking vessel that had plied the cold waters between Flanders and Norway many times. After greeting Cédric with an affectionate embrace, the captain welcomed the Portier men and escorted them all below decks into his quarters. On a table sat a stack of playing cards and a leather cup holding a pair of dice. The men settled on stools around the table while a sailor fetched wine and the captain shuffled and dealt the cards. “A ship at anchor is far preferable to one at sea,” Monsieur Portier remarked, arranging his cards in his hand. “Our journey here was far too stormy for my taste.” “The more time you spend at sea, the easier it gets.” The captain looked at Cédric with a grin. “You’d better find your sea legs again. Fancy another scramble up some Norwegian cliffs? You proved an excellent nest robber the first time.” Gregoire glanced at Cédric in surprise. “You’ve been to Norway?” “Yes.” Cédric put a card in the discard pile and selected a new one. “I was lucky in my choice of companions. We netted two dozen raptors, half of them gyrfalcons, if I recall correctly.” He looked at the Norwegian, shaking his head ruefully. “Stol på meg, Karl, I would return with you in a heartbeat if I could.” His friend laughed. “Those three words saved our hides more than once. They likely will again.” The Norwegian’s laughter was interrupted by the clatter of boots descending from the upper decks. A man burst into the cabin, his short cape swirling around him. “May I be of service?” the Norwegian asked, still speaking French. He put down his cards and rose from the table. “Captain, forgive me for the interruption,” the stranger said with a bow. His French was inflected with the rolling r’s of Catalan. “But I was told on good faith that you carry a cargo of gyrfalcons. My employer has dispatched me to purchase some without delay.” Cédric’s shoulders tensed. The hold contained several gyrfalcons and a peregrine falcon destined for his own employer’s mews in Auvergne. The captain’s expression turned serious. “I’m afraid my gyrfalcons are already reserved.” The Catalan’s eyes narrowed. “I’ve a letter to show you. It may convince you otherwise.” He withdrew a square of folded linen paper from a pocket and handed it to the Norwegian. From where Cédric was sitting, the seal looked like a star. The captain broke the seal and studied the letter for a moment. His eyes widened a little as he scanned the lines of script. “Tell me,” the Catalan said when the captain met his gaze again. “How much did your other buyers pledge to pay? I’ll double it.” Cédric scraped back his stool and stood. “You cannot buy falcons that are already spoken for, sir. Mine, for instance.” The Catalan turned. He was not much older than Cédric himself, with a taut, chiseled face and dark eyes. He gave Cédric a sweeping, dismissive glance. “This is not your affair,” he said sharply. “I’m afraid it is,” Cédric replied, stepping away from the game table. The captain put up a mollifying hand. “My friend, there’s no cause for you to worry.” “I disagree.” Cédric took another step in the Catalan’s direction, one hand gripping the hilt of his sword. The Catalan widened his stance. “As I said before, my business is not with you, sir.” He slid his own sword from its scabbard with silent precision. The Portier men looked at each other in alarm. “Enough!” The Norwegian’s tone grew hard. Two of his officers materialized in the doorway. “Aboard this ship, everyone is obliged to heed my command.” Cédric’s chest grew tight. He sought the captain’s eyes. “Answer me this. Will you honor our agreement or not?” “Stol på meg, Cédric,” the Norwegian replied in a low voice, his expression steady. Clearing his throat, the Catalan retrieved a purse from his belt and shook it. The clink of metal resonated through the chamber. “Perhaps you’re new to the falcon trade, sir. Gyrfalcons are the most costly and rare of them all,” Cédric said. “I doubt your purse holds enough gold for what you seek. Did you bring another?” The Catalan shot Cédric a look of pure contempt and trained his gaze on the captain. “Show me the birds, and I can pay you now, with my notary as witness.” He called out something in rapid Catalan. Another man appeared in the doorway. “The deal will be quickly done, Captain, and you’ll be a much richer man for it.” The notary drew a leather-bound book from a satchel slung over his shoulder. “With your permission,” he murmured, spreading the book open in his hands. The seal of the city of Bruges was stamped on the first page. The Norwegian nodded his approval. “Follow me,” he told the Catalan and the notary.
The three men vanished, the officers close behind them, and the hard tap of their boots on the planks faded.

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Amy Maroney

Amy Maroney lives in the Pacific Northwest with her family, and spent many years as a writer and editor of nonfiction before turning her hand to historical fiction. When she's not diving down research rabbit holes, she enjoys hiking, dancing, traveling, and reading. Amy is the author of the Miramonde Series, a trilogy about a Renaissance-era female artist and the modern-day scholar on her trail. To receive a free prequel novella to the Miramonde Series, join Amy's readers' group at www.amymaroney.com. (Just copy and paste into your browser.)
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Monday, 13 September 2021

Book Excerpt: Steampunk Cleopatra by Thaddeus Thomas #HistoricalFantasy #BlogTour #CoffeePotBookClub @thaddeusbooks @maryanneyarde

 


Steampunk Cleopatra 
By Thaddeus Thomas



Publication Date: 21st May 2021

Publisher: Independently Published

Page Length: 419 Pages

Genre: Historical Fantasy


Amani, a companion of Cleopatra, seeks to rediscover Egypt's suppressed science and history. She is the beloved of her princess become queen, but that may not be enough to overcome the system they've inherited. If she fails, her country and Cleopatra, both, could fall. History meets fantasy, and together, they create something new. Experience an intelligent thriller about star-crossed lovers and an ancient science that might have been.
Excerpt
The island palace was both home and prison, declared so by Pharaoh until the Cyprus crisis passed, for no danger of the Nile ever matched those of the Alexandrian streets; none of its beasts equaled her hunger. The palace could do no more than physically seclude the children. Amani's mind ran free. Visually, she explored everything, beginning with the lighthouse and the island of Pharos, crossing the land bridge that separated the two harbors until she reached the waterfront with its docks, warehouses, and armories. Large cranes stood like silent sentinels at the harbor's edge. With the power of compressed water, each could lift incredible weights; now, they waited, motionless, resembling skeletal remains of ancient beasts. The palace district was an uneven crescent moon. Cleopatra's island of Antirhodos rested upon the minor point, while various, brilliant buildings curved along the water's edge. It culminated at the greater point of Lochias, the palace peninsula. Beyond the palaces were the Museum and Library, the theater of Dionysus, and the temples which served both the people as symbols of fidelity and the Pharaoh as the institutions of his bureaucracy, a human infrastructure Rome could not match. The Egyptian government collected its wealth from every stage of production. If Rome conquered Egypt, Egypt would suffer, but if Egypt could control Rome, Rome would prosper. She and Cleopatra found solace out of the palace and beyond the garden and the red-granite columns, in the temple of Isis, where the statue of the goddess stood silent watch over the entrance. Sitting on the steps, Amani caught a glimpse of sails on the horizon and recognized their cut. “Cyprus.” A crowd gathered. Amani knew Pharaoh must be watching, as were Berenice and her mother, all of them waiting for news. Amani said nothing, but in her heart, she hoped and prayed I would be onboard. The ship entered the harbor and docked. A fire rose in the lighthouse, and the sound of voices rumbled across the city. When the voice of the mob washed over the harbor, Cleopatra and Amani were in the palace, sitting in silent vigil, but at their sound, Cleopatra rose to her feet, grabbed Amani's arm, and pulled her to the palace harbor. Whatever had become of Cyprus, it meant the end of Ptolemy's rule. Amani yanked her arm free. “I'm not leaving. I've lived by your side; if need be, that is where I'll die.” Instead of answering, Cleopatra wept and threw her arms around her. They held each other as the volume grew, like the bellow of a beast come to swallow them whole. Amani stayed, and they waited through the night for someone to come. Sitting upright against the wall, she fell asleep. When she awoke to Cleopatra's touch, the morning light had not yet bled into the pure night sky. “Did Philostratos come?” Amani asked. Blackened tears smudged Cleopatra's cheeks. “My father has sent men for me.” “What do you mean they've come for you? They come for us both.” Cleopatra pulled her into her embrace. “Rather than see Rome strip away his kingdom, Pharaoh's brother has taken his own life.” As if in response, the voice of the city rose afresh. “I'm going with you,” Amani repeated. “The people will kill Pharaoh if they reach him.” “I'm going with you.” “It won't be safe for you in the palace.” “Then let me come.” Amani couldn't hear the pain in her own voice until she saw it reflected in Cleopatra's eyes. The soldiers came. They had waited as long as they could. Amani struggled to follow after them, but one shoved her to the ground and drew his sword against her. Amani pushed up against the floor. Let them kill her if they must. She would not stop. Cleopatra ran between them and stopped the blade with a touch. She led Amani to the family port and handed Amani an oar. “Go,” she commanded. “Save yourself.” Amani refused the oar and clung to her. “I can't leave you.” Cleopatra again pushed the oar into Amani's grasp. “Get into the boat or never see me again.” Amani could say nothing. When Cleopatra turned to leave, Amani did not follow. Cleopatra looked back, and Amani saw both terror and conviction in her eyes. At last, Amani relented and stepped into the boat. Cleopatra returned to the edge of the dock and pushed the boat away. It glided upon the water, and as Amani passed out of the reach of the palace lights, Cleopatra turned away.


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Thaddeus Thomas
Thaddeus Thomas lives on the Mississippi River with his wife and three cats. Steampunk Cleopatra is his first novel, but he has a short story collection available at his website, ThaddeusThomas.com. There he also runs a book club where readers can receive indie book reviews and recommendation. His second book—Detective, 26 AD—releases July 9th and follows Doubting Thomas as he is conscripted to be an investigator for Pontius Pilate. Social Media Links: WebsiteTwitterFacebookBook Club
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Tuesday, 17 August 2021

Book Spotlight: The Anarchy (Conquest, Book 3) by Tracey Warr #HistoricalFiction #Medieval #BlogTour @TraceyWarr1

 


The Anarchy
(Conquest, Book 3)
By Tracey Warr


Publication Date: 2nd June 2020
Publisher: Impress Books
Page Length: 218 Pages
Genre: Historical Fiction/ Historical Romance
Tour Host: The Coffee Pot Book Club



Unhappily married to Stephen de Marais, the Welsh princess, Nest, becomes increasingly embroiled in her countrymen’s resistance to the Norman occupation of her family lands. She plans to visit King Henry in the hope of securing a life away from her unwanted husband, but grieving for the loss of his son, the King is obsessed with relics and prophecies.

Meanwhile, Haith tries to avoid the reality that Nest is married to another man by distracting himself with the mystery of the shipwreck in which the King’s heir drowned. As Haith pieces together fragments of the tragedy, he discovers a chest full of secrets, but will the revelations bring a culprit to light and aid the grieving King?

Will the two lovers be united as Nest fights for independence and Haith struggles to protect King Henry?


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Tracey Warr


Tracey Warr (1958- ) was born in London and lives in the UK and France. Her first historical novel, Almodis the Peaceweaver (Impress, 2011) is set in 11th century France and Spain and is a fictionalised account of the true story of the Occitan female lord, Almodis de la Marche, who was Countess of Toulouse and Barcelona. It was shortlisted for the Impress Prize for New Fiction and the Rome Film Festival Books Initiative and won a Santander Research Award. Her second novel, The Viking Hostage, set in 10th century France and Wales, was published by Impress Books in 2014 and topped the Amazon Australia charts. Her Conquest trilogy, Daughter of the Last King, The Drowned Court, and The Anarchy recount the story of a Welsh noblewoman caught up in the struggle between the Welsh and the Normans in the 12th century. She was awarded a Literature Wales Writers Bursary. Her writing is a weave of researched history and imagined stories in the gaps in history.

Tracey Warr studied English at University of Hull and Oxford University, gaining a BA (Hons) and MPhil. She worked at the Arts Council, Institute of Contemporary Arts, Chatto & Windus Publishers, and edited Poetry Review magazine with Mick Imlah. She also publishes art writing on contemporary artists, and in 2016 she published a future fiction novella, Meanda, in English and French, as part of the art project, Exoplanet Lot. She recently published a series of three books, The Water Age, which are future fiction and art and writing workshop books - one for adults and one for children - on the topic of water in the future. She gained a PhD in Art History in 2007 and was Guest Professor at Bauhaus University and Senior Lecturer at Oxford Brookes University and Dartington College of Arts. Her published books on contemporary art include The Artist’s Body (Phaidon, 2000), Remote Performances in Nature and Architecture (Routledge, 2015) and The Midden (Garret, 2018). She gained an MA in Creative Writing at University of Wales Trinity St David in 2011. She is Head of Research at Dartington Trust and teaches on MA Poetics of Imagination for Dartington Arts School.


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Wednesday, 11 August 2021

Book Excerpt: Where Your Treasure Is by M. C. Bunn #HistoricalFiction #HistoricalRomance #BlogTour @MCBunn3 @maryanneyarde

 



Where Your Treasure Is

By M. C. Bunn



Publication Date: 23rd April 2021

Publisher: Bellastoria Press

Page Length: 454 Pages

Genre: Historical Fiction, Historical Romance, Victorian Romance

Tour Host: The Coffee Pot Book Club.

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Feisty, independent heiress Winifred de la Coeur has never wanted to live according to someone else’s rules—but even she didn’t plan on falling in love with a bank robber.

Winifred is a wealthy, nontraditional beauty who bridles against the strict rules and conventions of Victorian London society. When she gets caught up in the chaos of a bungled bank robbery, she is thrust unwillingly into an encounter with Court Furor, a reluctant getaway driver and prizefighter.  In the bitter cold of a bleak London winter, sparks fly. 

Winifred and Court are two misfits in their own circumscribed worlds—the fashionable beau monde with its rigorously upheld rules, and the gritty demimonde, where survival often means life-or-death choices.

Despite their conflicting backgrounds, they fall desperately in love while acknowledging the impossibility of remaining together. Returning to their own worlds, they try to make peace with their lives until a moment of unrestrained honesty and defiance threatens to topple the deceptions that they have carefully constructed to protect each other.

A story of the overlapping entanglements of Victorian London’s social classes, the strength of family bonds and true friendship, and the power of love to heal a broken spirit.


Excerpt


Winifred and the man stumbled down a flight of narrow stairs. He kicked a door. Before them a deserted kitchen gleamed. Pots steamed unattended. The man pushed her toward the scullery. In a moment they would be outdoors. She redoubled her efforts to break free of him. 

In a corner, a scullery maid and a butcher’s boy kissed. At the sound of Winifred’s screams, they broke apart guiltily and stared openmouthed at her. Her captor swore and pointed his gun at the couple. The girl screeched, and the boy snatched up a dripping pot lid in defense of his paramour. 

“Fire!” the man shouted at them. “Run for your lives!” 

The boy threw down the pot lid, grabbed his girl, and they fled outside. 

Gasping, the man pushed Winifred after them. Stairs, fresh air—she gulped at it. Then she saw a hackney waiting in the alley and the driver in his purple coat. 

******

Court’s horse remained wary, her ears up, and swung her head toward the stairs that led down to the scullery. All at once, the butcher’s boy and a shrieking scullery maid clambered up the steps. They raced down the alley and took off in the boy’s cart at top speed. There was another rumble like the one Court had heard a minute ago. It sounded like distant thunder. He was vaguely aware of a rattle of bells in the street at the other end of the alley. A fire brigade passed. He smelled smoke. 

Suddenly Geoff and a woman appeared at the bottom of the stairs. They were covered in white dust and coughing. A bright, wet, bloody streak covered half of Geoff’s face. Their progress was impeded by the woman’s wildly kicking little boots. Her struggles and the flashes of her bright green and purple silks made her look like an exotic bird thrashing in Geoff’s arms. 

“What in ’ell ’appened to you? Where’s ’Ez?” Court shouted and ran forward to help. 

“I don’t know!” Geoff coughed. “Forget ’im! We’ve got to get out ’o ’ere!” 

“What about ’er? I saw a fire truck! Is she ’urt?” 

“She’s comin’ with us!” 

“Bleedin’ ’ell! ’Ave you lost your mind?” Court shouted. “Put ’er down!”

 Geoff coughed and swore. “No! She saw me! Open the door!” 

Geoff did not wait for Court to comply and thrust the woman at him. While Geoff bent over in another fit of coughing, the woman struggled and kicked, fanning dust all over Court, and cried for help. Involuntarily, he clapped his hand over her mouth. She only screamed louder. 

“Shut up, you fat sow!” Geoff swatted her across the temple with Hez’s pistol. 

The woman’s eyes rolled and she went limp. 

Court howled in dismay and caught her. 

Unconscious, her face took on an even sicklier pallor than the dust already gave it. In his arms, she was a mountain of soft cashmere and folds of velvet. Her mantle fell open, and her scent hit him. Lilies and some dark, exotic spice. It was so unexpected and heavenly that the alley and the hackney disappeared. Even his panic was gone. 

“Give ’er ’ere!” Geoff grabbed the woman and hauled her into the cab. The hem of her skirt caught on the door and ripped. “Give me your tie,” Geoff ordered. 

Court removed his neckerchief, thinking Geoff wanted to wipe the blood off his face. Instead, he gagged the woman then removed his belt in order to bind her wrists. This was too much. Court grabbed the woman’s ankles. “Put ’er ’ands in front o’ ’er at least!” 

“The bitch tried to stab me with a ’atpin!” 

“Do it, or we ain’t goin’ nowhere!” 

Geoff scowled in disgust but tied her hands in front. “Soft!” 

From above came another low rumble. The mare lunged. Court let go of the woman to steady the horse. Another fire truck raced past the end of the alley. There was a distinct odor of smoke. 

Geoff dumped the woman onto the floor of the cab. “The gas lines is goin’! Go on, drive!” 

In spite of the horse, Court made another attempt to extract the woman from Geoff’s clutches. “We can’t leave ’Ez! We can’t take ’er!” 

Geoff clicked off the safety and waved the pistol under Court’s nose. When Court did not let go of the woman, he pointed the pistol at her head. “I ain’t arguin’! Drive!” He slammed the cab door. 

His heart hammering, his head whirling, Court untied the horse, swung up onto the box, and grabbed the reins. As he turned the cab into the street behind the bank, yet another fire truck raced past. 

Jesus, Mary, and Joseph! They were in for it now.


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M. C. Bunn



M. C. Bunn grew up in a house full of books, history, and music. “Daddy was a master storyteller. The past was another world, but one that seemed familiar because of him. He read aloud at the table, classics or whatever historical subject interested him. His idea of bedtime stories were passages from Dickens, Twain, and Stevenson. Mama told me I could write whatever I wanted. She put a dictionary in my hands and let me use her typewriter, or watch I, Claudius and Shoulder to Shoulder when they first aired on Masterpiece Theatre. She was the realist. He was the romantic. They were a great team.”

Where Your Treasure Is, a novel set in late-Victorian London and Norfolk, came together after the sudden death of the author’s father. “I’d been teaching high school English for over a decade and had spent the summer cleaning my parents’ house and their offices. It was August, time for classes to begin. The characters emerged out of nowhere, sort of like they knew I needed them. They took over.” 

She had worked on a novella as part of her master’s degree in English years before but set it aside, along with many other stories. “I was also writing songs for the band I’m in and had done a libretto for a sacred piece. All of that was completely different from Where Your Treasure Is. Before her health declined, my mother heard Treasure’s first draft and encouraged me to return to prose. The novel is a nod to all the wonderful books my father read to us, the old movies we stayed up to watch, a thank you to my parents, especially Mama for reminding me that nothing is wasted. Dreams don’t have to die. Neither does love.”   

When M. C. Bunn is not writing, she’s researching or reading. Her idea of a well-appointed room includes multiple bookshelves, a full pot of coffee, and a place to lie down with a big, old book. To further feed her soul, she and her husband take long walks with their dog, Emeril in North Carolina’s woods, or she makes music with friends. 

“I try to remember to look up at the sky and take some time each day to be thankful.”

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Wednesday, 9 June 2021

Book Spotlight: The Poison Keeper by Deborah Swift #HistoricalFiction #Renaissance #Italian #BlogTour #CoffeePotBookClub @swiftstory @maryanneyarde

 



The Poison Keeper 
By Deborah Swift



Publication Date: 18th May 2021
Publisher: Quire Books
Page Length: 394 Pages
Genre: Historical Fiction

Naples 1633

Aqua Tofana – One drop to heal. Three drops to kill.

Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell Giulia the hidden keys to her success. When Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade.

Giulia must run for her life, and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her Aunt Isabetta, a famous courtesan. But when Giulia hears that her mother has been executed, and the cruel manner of her death, she swears she will wreak revenge on the Duke de Verdi.

The trouble is, Naples is in the grip of Domenico, the Duke’s brother, who controls the city with the ‘Camorra’, the mafia. Worse, her Aunt Isabetta, under Domenico’s thrall, insists that she should be consort to him – the brother of the man she has vowed to kill.

Based on the legendary life of Giulia Tofana, this is a story of hidden family secrets, and how even the darkest desires can be vanquished by courage and love.

‘Her characters so real they linger in the mind long after the book is back on the shelf’ Historical Novel Society

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Deborah Swift


Deborah Swift lives in the north of England and is a USA Today bestselling author who has written fourteen historical novels to date. Her first novel, The Lady’s Slipper, set in 17th Century England, was shortlisted for the Impress Prize, and her WW2 novel Past Encounters was a BookViral Millennium Award winner. 

Deborah enjoys writing about ordinary people thrust into extraordinary circumstances, and most of her novels have been published in reading group editions. She holds an MA in Creative Writing from Lancaster University and is a mentor with The History Quill.

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Tuesday, 1 June 2021

A spoon of Moorcock, a dash of Morrison and a cup of Gibson: inspirations for alternative history in The Sterling Directive by Tim Standish @timstandishuk

 




The Sterling Directive
By Tim Standish



Publication Date: 20 August 2020
Publisher: Unbound
Page Length: 304 pages
Genre: Alt-historical thriller

It is 1896. In an alternative history where Babbage’s difference engines have become commonplace, Captain Charles Maddox, wrongly convicted of a murder and newly arrested for treason, is rescued from execution by a covert agency called the Map Room. 
Maddox is given the choice of taking his chances with the authorities or joining the Map Room as an agent and helping them uncover a possible conspiracy surrounding the 1888 Ripper murders. Seeing little choice, Maddox accepts the offer and joins the team of fellow agents Church and Green. With help from the Map Room team, Maddox (now Agent Sterling) and Church investigate the Ripper murders and uncover a closely guarded conspiracy deep within the British Government. Success depends on the two of them quickly forging a successful partnership as agents and following the trail wherever, and to whomever, it leads. 
An espionage thriller set in an alternative late 19th-century London.

Guest Post

A spoon of Moorcock, a dash of Morrison and a cup of Gibson: inspirations for alternative history in The Sterling Directive

Reading comics and graphic novels as a teenager is where I first came stories where pasts and futures weren’t changed (for example by time travel – something I’d already come across in science fiction) but were blended together, normally in the Victorian era and apparently as something called ‘steampunk’. There are a few theories about when and how this term was coined but, in part, it results from considering the question: what if the Victorians had access to steam-powered computing and technology? 

This question has been answered in different ways by a multitude of works including the likes of Michael Moorcock’s The Land Leviathan, Bruce Sterling and William Gibson’s The Difference Engine, Bryan Talbot’s Luther Arkwright comics, Grant Morrison’s Sebastian O graphic novel and, of course, Alan Moore’s The League of Extraordinary Gentlemen. (This is by no means intended as a definitive list – that’s a daunting task that I’ll put off for another day - these are just the stories from my own reading led me in this direction).

The first scene of the Sterling Directive that I wrote was the start of the duel on a station platform in Chapter 1. When I wrote this, I didn’t know who the characters were, or why they were duelling, but what I did know was that it was in London, in the 1890s, the hero was an army officer and that he’d bought a ticket to go duelling which was, for some reason, a perfectly legal thing to do in this timeline and that somewhere overhead there was almost certainly an airship.

At which point I had the idea of writing something in an alternative timeline. Once that was decided, the next step was to think about how far to deviate from history. Some alt-history fiction can be very alternative – China Miéville’s Perdito Street Station for example takes place in a completely different world, adds aliens, trans-dimensional beings and magic and still manages to weave it all together as a coherently and excellent recognisably steampunk whole. Other books and series stay in Victorian London but add magic, vampires or other supernatural elements – you can see this in the recent Netflix series Carnival Row for example. 

I felt instinctively that I wanted to try and create a recognisable alternative not too far from our own world. A changed setting that supported the story rather than being the story itself, one that was alternative but alternative ‘in the background’, as it were, as part of a believable world that had evolved organically away from actual history rather than something that felt like a completely new world. William Gibson is a big influence here, partly of course because of the Difference Engine but especially his ‘Sprawl’ series which, I think, does such a great job of revealing a dystopian future as a world that seemed as natural to me as a reader as it did to the characters within it.

The point from which the alternative timeline starts in The Sterling Directive is Charles Babbage’s invention of the Difference and Analytical Engines. Babbage had his ideas for these mechanical computers in the first half of the 19th century but, for a range of reasons, not least of which was insufficient financial backing, they never got off the ground. A recurring theme in steampunk storytelling is that the Engines were actually a success and kick-started a Victorian computer age, and that’s also what I took as my starting point. 

I reasoned that this would begin around 1850. In my version of history Babbage exhibited a fully functioning prototype of the analytical engine at the Great Exhibition that would play a version of ‘pong’ with visitors, and that by 1896 (when the Sterling Directive is set) computers would be in domestic use. I saw this as broadly analogous to the time elapsed between the use of the Bletchley Park ‘bombes’ in the second world war and the spread of basic personal computers at home in the mid to late 1980s and that’s the benchmark that I took for what was possible and what might be different in terms of technology. 
Add this to the telegraph which was already a sort of Victorian internet (see Tom Standage’s excellent book of that name) and you have a technological background that would be familiar to most readers: an ‘on-wire salon’ is a sort of chat room, the character Patience is a ‘tapper’, which is the equivalent of a hacker, and the main character, Sterling, has a long-distance conversation by text with his brother. 
With a broad sense of the end point in terms of computing technology in place, I thought about how different aspects of life: society, politics and commerce might be affected along the way and began to sketch out what this alternative world might look like. Some changes would be small (motorised taxis rather than horse-drawn carriages) and some would be bigger (transatlantic airships) and some would be fundamentally different (the Confederate States of America).  

I say ‘sketch out’ and, indeed, I started the book with nothing more than some rough ideas about what the world look like. It was only through writing the characters and having them start navigating the world that some of the details came into focus. Over the course of writing, rewriting and editing the book my alternative world gradually evolved as a suitable backdrop to what I hope is an exciting story, something that the younger me would have been delighted to add to his reading list: part historical thriller, part science fiction with a dash of quirky invention.


Tim Standish


Tim Standish grew up in England, Scotland and Egypt. Following a degree in Psychology, his career has included teaching English in Spain, working as a researcher on an early computer games project, and working with groups and individuals on business planning, teamworking and personal development.

He has travelled extensively throughout his life and has always valued the importance of a good book to get through long flights and long waits in airports. With a personal preference for historical and science fiction as well as the occasional thriller, he had an idea for a book that would blend all three and The Sterling Directive was created.

When not working or writing, Tim enjoys long walks under big skies and is never one to pass up a jaunt across a field in search of an obscure historic site. He has recently discovered the more-exciting-than-you-would-think world of overly-complicated board games.

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Author image taken by Hannah Couzens Photography.

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