Chateau Laux
By David Loux
Publisher: Wire Gate Press
Page Length: 292 Pages
Genre: Historical/Literary Fiction
Chateau Laux
By David Loux
Pied Piper
By Keith Stuart
| Strong Italian Women. Authors ancestors. |
| Researching, author and her aunt. |

From the threat of Pompeii in 80AD, to the ‘glamour’ of gladiator battles in the Colosseum, be transported to ancient Rome in this fast-paced and gripping historical fiction, taking us behind-the-scenes of some of the most extravagant entertainments the Empire ever witnessed.
There’s always a sense of foreboding in any book which starts in Pompeii. As a reader, I feel a hint of nervousness, trying to think ahead, work out who will survive the disaster, and who will not. History has shown that the numbers are not on any character’s side, after all. Here, we know that Althea and Marcus must survive, but it’s the family and friends we meet in the opening pages I worry for. We know the disaster must hit, and soon, and the sense of threat really does hang over everything.
Following a job offer he cannot refuse, and needing a scribe to help him with it, Marcus and Althea make their farewells, and head for the capital. Marcus is initially unwilling to take up his new role, but the anticipation of buying a little farm-stead and enjoying retirement just about convinces him to take on the greatest challenge of his career. This is no small-scale dinner party, or battle in Pompeii’s arena, after all – can he really bring about the magnitude of events that the Emperor will require for the inauguration of the Colosseum? One hundred days of games and entertainments? The men making the decisions believe he can.
There is a detailed Author’s Note at the end of this novel, which I would usually mention at the end of the review, but it’s worth raising at this point. Despite it being one of the most famous symbols of ancient Rome, there is very little, practically nothing in fact, about the people who worked ‘backstage’ at the Colosseum, at any stage, including the inaugural events. And yet, given the scale of things, there simply must have been a huge group of people behind-the-scenes. It’s wonderful then, to give these people a moment in the spotlight, rather than focusing only on the gladiators and Emperors.
In brilliant detail, we meet the teams who paint the scenery, create the souvenirs, capture and bring in the animals, train the gladiators, supply the criminals for execution and far, far more, all under the watchful eyes of Althea and Marcus. Marcus becomes Althea’s owner, much to Althea’s surprise, early on in the story, and her skills as a scribe are soon put to much better use than they ever have been for her previous master.
When news reaches Rome that disaster has befallen Pompeii and others (how can towns and ports just ‘vanish’, people wonder, horrified), Marcus feels he must return home, to know for certain what has happened to his loved ones. We are with him and Althea as they convince a boatman to take them down the unrecognisable coastline, and are right beside Marcus, especially as he digs through the fresh ash, desperate to find any trace of his home. The devastation of the city, and those left behind, is well-captured, and Marcus’ reaction is believable and heart-breaking.
There is little time to mourn though, as we are thrown from one problem to another, whether that’s keeping badly-travelling giraffes alive long enough, or ensuring there are enough toilet-cleaners on hand to deal with breaks in the entertainments (it seems some things never change!).
At a wider level, Rome itself is going through a period of upheaval, with sickness and fire both threatening the city, and taking their toll on Marcus and Althea, through the loss of colleagues and, tragically, more close friends. This is as much a story of survival against the odds, as it is the entertaining of a pampered ruler.
Despite my best intentions, I found myself racing through this book, speeding through over half of it in one night of very poor sleep. Whether in the rural comfort of Pompeii, or walking between the ancient temples of the Forum, I felt utterly transported back in time, with the sights, smells and sounds captured at every stage. We are in the rooms when people are on their sick-beds, we sit and share family meals, and we hurry through ash-and-soot-filled streets whilst Rome burns, just days before the Colosseum is due to open. We feel the despair of Marcus as he has to come to terms with what has happened in Pompeii, and the frustration of Althea, as she and Fausta, Marcus’ right-hand-woman from his former role, are forced to cover for him during his ill-advised absences from work. And we are there as Althea grows in confidence working alongside this man who was ‘given’ her with hardly a second thought.
The relationship between the colleagues was a particularly interesting one, and I am certainly looking forward to reading more about their upcoming challenges in the rest of the series. Marcus and Althea especially, find themselves bound together by promises to which they gave hardly any credence as they were made, and yet became binding by subsequent events. The understanding which grows feels realistic, given their circumstances, and although I knew from previous history documentaries etc. that the opening events they were preparing for were particularly violent and graphic in nature, I found myself willing them to succeed every step of the way.
In the midst of the wealth and apparent glamour of Rome though, and the still-famous Colosseum, what appealed to me most in this story was the ‘ordinary-ness’ of it all. We have all been there – a demanding manager, staff or colleagues who can’t / won’t deliver on time, suppliers struggling to meet demands – but reading about the seemingly mundane behind something so magnificent gives a real grounding to an ancient civilisation we all feel we know, even if we’ve never studied it, just by its sheer magnitude. It makes everything feel very real and relatable, and I love that in a piece of historical fiction.
I Highly Recommend From the Ashes (The Colosseum Book 1) by Melissa Addey.
Forgiving Nero
By Mary Ann Bernal
I am Nero. And I am your Emperor.
Ruthless, ambitious, and determined to secure her position, Agrippina saw an opportunity and took it. Her son, Lucius, would become Emperor, and she cared not who she had to step over or kill to achieve that aim. Once her son had been named Emperor, Agrippina was determined to use his youth to her advantage, and rule through him. But she failed to see the danger of what she had created.
Traian Aelius Protacius had been assigned to protect Lucius when he had been a young, frightened boy in exile in Calabria. Lucius had been a compassionate child, a little boy desperate for love. But now, as a man, he was unrecognisable. His reign had started with such promise, but there was nothing of the boy in the Emperor who stood before him now. Traian would remain loyal to Nero—as he now liked to be called. He would be the one constant. He could not abandon him, no matter what he did, and yet nor could he save him. Instead, all he could do was watch while Nero rapidly turned away from his trusted advisors and instead listened to those who fed his ego, who bowed to his every whim, and who treated him like a god.
Deep down Nero knew that his hold on the throne would always be precarious. For in truth, the throne, like the laurel upon his head, was never meant to be his...
From a fearful young boy’s first night in the Imperial Palace to his descent into madness, Forgiving Nero by Mary Ann Bernal is the unforgettable story of one of the Roman Empire’s most notorious Emperors.
Nero is one of the infamous emperors whose history has been dictated by those who wanted to see his downfall. History, after all, is not written by the loser. Bernal does not pretend that Nero was a beloved emperor, but nor does she make him quite as monstrous as we have all been led to believe. He is a competent administrator; he takes advice from learned men such as Seneca, and although he is also greatly influenced by his mother in this story, Nero is compassionate when compassion allows. History has often accused Nero of causing the Great Fire of Rome so that he could build his ‘golden house’, but Bernal argues quite rightly that this was not the case at all, and in fact, he helped those who had lost their homes—it just so happened that the fire meant he could build his palace, which in turn meant he needed money and was not afraid to demand it! Bernal has also given us a Nero who is not opposed to murder, nor is he opposed to persecution. Someone had to take the blame for the Great Fire, and the Christians just so happened to be in the wrong place at the wrong time.
I thought Bernal’s depiction of Nero’s mental health, especially his guilt at some of the things he had done, demonstrated her understanding of human fragility and how easy it is to travel down a path of self-destruction. His childlike behaviour in Greece, his instance on winning the laurels at the Olympic Games, caused his sanity and, therefore, his rule to be questioned. He acted like a spoilt child, and he was, consequently, seen as such. But underneath it all, Bernal hints there is still a frightened little boy who just wants to be held by his mother and told that everything would be alright. Bernal has taken the historical sources and picked through the myths and the lies, and has given her readers a more rounded view of Nero and his time as emperor.
The antagonist in this novel is surprisingly not Nero but his mother. Agrippina was a survivor. She had been abused but had somehow managed to turn the tables and come out on top. She used her beauty, intelligence and her ruthless ambition to achieve her aim. I thought Agrippina’s depiction was fabulously portrayed. She is this powerful woman, who not only influenced her son but allowed him to be convinced that he was divine. Unfortunately, Agrippina made the terrible mistake of thinking she could control this monstrous man she had shaped and created. Agrippina was a character that initially I felt sorry for because of the abuse she had endured, and perhaps, to some extent, that abuse explained some of her behaviour - she wants to be in a position of power so that such a thing can never happen again. However, her lack of empathy, the lies, the manipulation of information, and how she makes her son dependent on her made for some disturbing reading. The abused becomes the abuser, and Bernal asks her readers if Nero ever stood a chance to become the man he wanted to become. And in fact, there are several moments in this novel where Nero realises that the boy he was, Lucius, has been devoured by this monstrous Nero that his mother had fashioned in her image.
Honour and loyalty is a theme that runs throughout this novel. Nero’s benevolent nature and youthful desire to change the world came through on the odd occasion, such as when he helps those in need after the Great Fire. On such occasions, he behaves honourably. But there are moments when his extravagance and debauchery and his belief that he rules by Divine right means he loses track of what is honourable and what is not. He becomes confused, baffled even, as to what he is meant to be doing. He believes that he rules supreme and everyone should bow down to him. He demands loyalty, which history teaches us and Bernal shows us, never ends well.
Unlike Nero, who struggles throughout this book with what is right and what is wrong, Traian does his very best to be an honourable person, and although at times he is disloyal, not to Nero, never to him, but to another that he loves, he takes that act of disloyalty and does his best to learn from it, which I think demonstrated how vastly different Traian was to Nero. Acte, much like Traian, remains loyal to the memory of Lucius the boy and that memory she would never betray. Nero is surrounded by good people in this novel, but he is influenced by the wicked because those who wish him well, who want to help guide him to follow the right path, fear that if they upset him or his mother, they could forfeit their lives.
Religion and religious persecution are also explored in this story. Initially, the Christians are tolerated, to an extent. Through characters such as Vena, Bernal examines the dangers of practising a faith that differed so very much from Roman theology. Paul of Tarsus makes several cameo appearances in this novel, and his beliefs put him at odds with the Empire. The slaughter of the Christians after the Great Fire was incredibly harrowing, but masterfully drawn.
This story demanded all of my attention from beginning to end. The narrative was utterly enthralling, and Bernal told Nero’s story with a keen understanding of what makes history worth reading. Bernal has brought Nero back to life, and she has explored that life with a profound sweep and brilliance.
Bernal writes with such elegance and authority, not to mention with a keen attention to the historical detail, that a reader can comfortably immerse themselves in this story. Forgiving Nero by Mary Ann Bernal is a must-read for anyone who enjoys quality Historical Fiction.
Connect with Mary Ann: Website • Whispering Legends Press • Twitter.
Someone had betrayed them. That much was clear: but who?
When Elizabeth Maxwell was summoned to 64 Baker Street, London, she had hoped to hear news of her husband. To her horror, she learns that the Gestapo and the French Milice had ambushed an RAF airdrop of supplies to the Belvedere Resistance. Many Resistance fighters had been killed, and there had been no communication from the head of the Belvedere Resistance - Guy Maxwell, Elizabeth’s husband.
Having at first frowned upon Elizabeth’s marriage to Guy (for emotional entanglement between agents was discouraged) Colonel Maurice Buckmaster, the head of F Section of the Special Operations, now wants Elizabeth to go back into the field and find out exactly what had happened.
Desperate to find out if her husband is dead or alive, Elizabeth willingly agrees. She had worked as a courier for the Belvedere Resistance six months previously, and she knew the area well. It soon became apparent to Elizabeth that there was a traitor in their midst. But unearthing the traitor seemed nearly as impossible as finding out what had happened to her husband and the other members of the Resistance who had survived the vicious attack.
Elizabeth is all too aware that time is against her. The Belvedere Resistance must be in a position where they could support the Allied forces by use of sabotage and subversion to undermine the German occupying forces in time for D-Day.
Inspired by historical events and people, The Secret of the Grand Hôtel du Lac by Kathryn Gauci is an enthralling story that held me captivated from the very first sentence to the final full stop. Gauci has depicted an extremely violent time with an intuitive understanding of what makes history worth reading. This is a novel that does not threaten to mesmerise, it does.
Elizabeth is a character that I came to adore. She is a remarkably strong woman who takes incredible risks to find out what exactly happened. Her determination to discover if her husband is alive or dead was heart-rendering. However, Elizabeth tries to put her personal fears aside, for she has a job to do, and she is determined to do it. I don’t think I would have been as brave as Elizabeth if I found myself in such a situation, but Elizabeth remains clear-headed throughout, which saves her life on more than one occasion. She also gets on with life, despite what is happening around her. If she needs a new dress, she will make one. If a friend needs help with a medical emergency (Elizabeth is a trained nurse), she will change her plans to ensure those in need, received her help. However, there were moments where Elizabeth surprised me. For someone who came across as exceedingly gentle, she could also be coldly ruthless.
The other protagonist in this novel is Guy, but to speak of him would be to give away some spoilers and that I will not do. If you want to find out the truth about what happened that terrible night, then you will have to read the book!
Throughout this novel, Gauci explores the chaotic, not to mention the senseless brutality of warfare. The German occupying forces are determined to keep control of the populous - their weapon of choice being fear by using threats, torture, deportation and, in many cases, murder. However, there are times where the Resistance is equally brutal, as unfeeling and unforgiving. Thus reminding the reader that this is a war story, and that society’s normal rules, society’s code of morality, are swept aside. On both sides, there seemed to be a dehumanisation of those who threatened, or at least might threaten, their end goal. This meant that the general populous found themselves stuck between a rock and a hard place with no control of their destiny, let alone their immediate future. But still, they try to get on with life. They try to bring some normality to this abnormal time. With hindsight, it is remarkably easy to judge those who collaborated with the enemy, but Gauci asks her readers if it was your family that was threatened, what would you do? Being a patriot may sound romantic and heroic, but when you are faced with an unimaginably difficult decision, it is easy to see why patriotism flew out the window, along with honour and loyalty.
Gauci has depicted this era’s immense suffering with an accomplished author’s skill and an empathetic understanding of human nature. So, although the Germans and the French Milice are the antagonists in this novel, Gauci does not whitewash the actions and the lengths that the Resistance were prepared to go to. There are some scenes of torture and murder in this novel that are incredibly distressing. But this was a brutal period of history, and although I deplored what the Germans did, I found myself not wanting to forgive what the Resistance did either. And although it is anger and betrayal that is behind the Resistance’s lack of humanity, it does give the reader pause for thought, and it also reminds them that there were unforgivable and deplorable acts carried out on both sides.
Gauci also explores the question of morality in this novel. The fact that there were some people who were more than willing to exploit others for their own financial gain should come as no surprise, but for some reason, I actually found it surprising. We often hear stories of remarkable courage where members of the general population hid their Jewish neighbours and friends at significant personal risk, but I have never read a story where there were unscrupulous people who exploited those whose situations were precarious. Although this type of profiteering is mentioned only briefly in this novel, it certainly struck a chord.
The distinction between appearance and reality is often a profoundly blurred line throughout the length of this book. The Resistance was successful because of its secretive nature, and because of its skill of its agents in infiltrating and gaining the trust of the enemy. The emotional terminal and abuse that these people endured from the very people they were actually helping really drove home the fact that appearance was not always what it seemed.
The attention to the historical detail has to be commended. The hours of research that have gone into this novel shine clearly through every carefully crafted sentence. Gauci knows this era well, and her dedicated research has certainly paid off, for it is a vivid and historically accurate world in which she has placed her characters.
This novel is an emotional read, and yet it is also a profoundly truthful depiction of the era and the role that the Resistance had to play in the success of the Allied invasion of France.
The Secret of the Grand Hôtel du Lac by Kathryn Gauci is a novel that once started is extremely difficult to turn away from. This is a book that demands to be read in one sitting. If you enjoy quality Historical Fiction set during World War II, then this book should certainly have a place upon your bookshelf.
The North Finchley Writers’ Group
By Richard Tearle, with Helen Hollick
When a group of north London writers meet each month for a chat, coffee, and cake – what else is on their agenda? Constructive criticism? New Ideas? An exciting project? And maybe, more than one prospective romance...?
Eavesdrop on the monthly meetings of the North Finchley Writers' Group, follow some ordinary people with a love of story writing, and an eagerness for success. Discover, along with them, the mysteries of creating characters and plot, of what inspires ideas, and how real life can, occasionally, divert the dream...
Excerpt
LET ME INTRODUCE MYSELF
My name – my personal and professional name – is Rob Taylor and I'm a writer.
It is rather strange to state that as a fact after years of scribbling, despair at rejections tempered by moments of high elation when one of my stories was accepted by a respected magazine. But I can state it as a truth now, for I write regularly for several publications, and my first compilation has recently been published with a fixed contract for two more to follow. At the moment, I write short stories, but more than a few friends have encouraged me with prompts such as “You have a novel in you, you know,” and, “A short story has the potential to be a novel writ long.” I am working on the idea.
But enough of that.
About a year or so ago, I was unexpectedly made redundant. Jobless, but with a good-enough redundancy bank balance to keep me going for a bit, and a determination to do what I wanted to do – write – I took the plunge and converted the spare bedroom into a study. I started writing full time and joined the North Finchley Writers' Group, where I met some lovely people who, one way or another, gave me the encouragement to develop my ideas.
All to my satisfaction, but my wife's dismay.
The members of our writers’ group are a very mixed bunch, as you will find out. We meet every month at a different house and whoever is the host gets to provide tea and coffee – often with cake or ‘light snacks’ – and chooses a topic for discussion. We talk, voice opinions and yes, sometimes we argue. But it is all forgotten when we walk away into the night.
Mostly.
They've had quite a turnover of members over the years. Some who came for a couple of meetings and then disappear. Some who weren't really writers but 'dabble' and think that attending a writers' group meeting makes them one. They never last long. Some have moved along and, sadly, one or two have passed on to the great Library in the Sky. Nowadays we have about a dozen or so regulars. There are one or two who are deliberately obstructive. Outspoken. Single minded. Cantankerous.
Some are shy and introvert and, in truth, offer little. But they listen and learn, and that is what we are all there for. To learn from others, be they best sellers or unpublished writers. Because, whatever our differences, we stick together and, if anyone is down, we stand by them and offer encouragement. If someone is on a high, then we enthuse in their success.
Most of us, anyway.
We do have a few Best Sellers. Angela Knight, for example, and Zak Nichols. Charlotte Caroll is more than adept at Regency romances, (not my bag, but, well, credit where credit's due) and Jean Hart uses her history degree to good effect, as does Hilary Jackson, albeit covering a different period of time.
I'll introduce them all properly as we go along...
Pick up your copy of
The North Finchley Writers’ Group
A Word From Richard Tearle
“To the writing community, whether they be traditionally published, indie or aspiring.
You make the rocking world go round...Writers are such a wonderful community – supportive, helpful and ever willing to give their time and expertise to one humble chap such as I. Thank you all from the bottom of my heart. Thank you. Thank you. Thank you.”
Richard – December 2020
A Word From Helen Hollick
It was with great enthusiasm that I encouraged Richard to write this, his first novel. His enjoyment of creating a good story, I felt, should be shared to readers and writers, everywhere. Unfortunately, at the editing stage, Richard became ill, involving hospitalisation. In discussion with his son, rather than abandon the project or put it on hold, we decided that the best course of action was for me to continue with getting this book published on his behalf. The characters, plot – the story – are all Richard’s immense talent, I merely tidied up and added the final polish, coming in as ‘painter and decorator’ to Richard’s main role as architect, designer, and builder.
Social Media Links:
Richard:
Helen:
Marie Conner – A Leading Lady Her Life and Civic Leadership in a Bygone Era By Elle Mott Publication Date: February 11th, 2026 Publisher: ...