Tuesday, 25 May 2021

Book Spotlight: Chateau Laux by David Loux #HistoricalFiction #ChateauLaux #BlogTour #CoffeePotBookClub @ChateauLaux @maryanneyarde

 



Chateau Laux

By David Loux



Publication Date: April 6, 2021
Publisher: Wire Gate Press
Page Length: 292 Pages
Genre: Historical/Literary Fiction

A young entrepreneur from a youthful Philadelphia, chances upon a French aristocrat and his family living on the edge of the frontier. Born to an unwed mother and raised by a disapproving and judgmental grandfather, he is drawn to the close-knit family. As part of his courtship of one of the patriarch’s daughters, he builds a château for her, setting in motion a sequence of events he could not have anticipated.

Where to buy

David Loux


David Loux is a short story writer who has published under pseudonym and served as past board member of California Poets in the Schools. Chateau Laux is his first novel. He lives in the Eastern Sierra with his wife, Lynn.

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Monday, 10 May 2021

Book Spotlight: Pied Piper by Keith Stuart #HistoricalFiction #WW2 #BlogTour #CoffeePotBookClub @len_maynard @maryanneyarde

 



Pied Piper

By Keith Stuart



Publication Date: 1st March 2021
Publisher: LMP- Len Maynard Publishing
Page Length: 176 Pages
Genre: Historical Fiction / WWII 

In September 1939 the British Government launched Operation Pied Piper. To protect them from the perils of German bombing raids, in three days millions of city children were evacuated - separated from their parents. 

This story tells of two families: one whose children leave London and the other which takes them in. We share the ups and downs of their lives, their dramas and tragedies, their stoicism and their optimism. But. unlike many other stories and images about this time, this one unfolds mainly through the eyes of Tom, the father whose children set off, to who knew where, with just a small case and gas mask to see them on their way.

Where to buy:

This novel is free to read with #KindleUnlimited subscription. 

Keith Stuart


Keith Stuart (Wadsworth) taught English for 36 years in Hertfordshire schools, the county in which he was born and has lived most of his life. Married with two sons, sport, music and, especially when he retired after sixteen years as a headteacher, travel, have been his passions. Apart from his own reading, reading and guiding students in their writing; composing assemblies; writing reports, discussion and analysis papers, left him with a declared intention to write a book. Pied Piper is ‘it’.  Starting life as a warm-up exercise at the Creative Writing Class he joined in Letchworth, it grew into this debut novel.

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Thursday, 6 May 2021

#HistoricalFiction author, Jennifer Anton, is talking about the inspiration behind her fabulous novel - Under the Light of the Italian Moon #Inspiration #amwriting @boldwomanwrites @maryanneyarde

 




Under the Light of the Italian Moon
By Jennifer Anton




Publication Date: 8th March 2021
Publisher: Amsterdam Publishers
Page Length: 394 Pages
Genre: Historical Fiction/Biographical Fiction

A promise keeps them apart until WW2 threatens to destroy their love forever

Fonzaso Italy, between two wars

Nina Argenta doesn’t want the traditional life of a rural Italian woman. The daughter of a strong-willed midwife, she is determined to define her own destiny. But when her brother emigrates to America, she promises her mother to never leave.

When childhood friend Pietro Pante briefly returns to their mountain town, passion between them ignites while Mussolini forces political tensions to rise. Just as their romance deepens, Pietro must leave again for work in the coal mines of America. Nina is torn between joining him and her commitment to Italy and her mother.

As Mussolini’s fascists throw the country into chaos and Hitler’s Nazis terrorise their town, each day becomes a struggle to survive greater atrocities. A future with Pietro seems impossible when they lose contact and Nina’s dreams of a life together are threatened by Nazi occupation and an enemy she must face alone…

A gripping historical fiction novel, based on a true story and heartbreaking real events.

Spanning over two decades, Under the Light of the Italian Moon is an epic, emotional and triumphant tale of one woman’s incredible resilience during the rise of fascism and Italy’s collapse into WWII.




What my Grandmother Left Me:

The Inspiration Behind Under the Light of the Italian Moon by Jennifer Anton

I started writing Under the Light of the Italian Moon in 2006, which became the year of coming to a new understanding of womanhood. I was pregnant with my daughter, and at my baby shower, aunts and cousins surrounded me in blessings. My Italian grandmother sat to the side, a quiet spectator. That night, she called an ambulance and never left the hospital. Two months later, I had my daughter via an emergency c-section, then went into heart failure, causing me to have to leave my baby at home with my mom. Doctors tried to save my malfunctioning heart. I recovered—but my grandmother did not. She died, never getting to meet my daughter. I wondered what of hers I could give to my child to make sure she was remembered. 

She had told me little about her life in Italy. I still remember the night I asked her about WWII in Italy, because we were studying WWII in highschool. She shared that Nazis had occupied her town, friends had been killed in their atrocities. For the first time, I heard the name of a town, Fonzaso – where she lived the beginning seventeen years of her life. She admitted that she hadn’t wanted to leave, but she needed to stay with her family. I tucked this information into my memory. As a teenager, I didn’t have the inclination to follow up on questions forming in my head when I heard those words: Nazis, Fonzaso, partisans, WWII. It was hard to associate all of that with my grandma, who loved to sit in her Daniel Green slippers and make polenta on Sundays. I was American, so was she, I thought. It was only her meals, her infrequent Italian demands (Basta!) and her phone calls abroad in Italian that told me she was different. But I never considered her what she was—an immigrant. 

In 2006, when she died, a notebook on my counter held questions I had intended to ask about her childhood in Italy and during WWII. Instead, I filled pages with her eulogy, written as a letter to my daughter to introduce her to her great grandmother. At the wake people spoke of her youth: gymnastics competitions we had never heard about, and made us wonder if we fully knew the woman who I had called Grandma Lasia. My mom, who never speaks in public, stood up with a stronger voice than I had ever heard her use, and spoke about her mother. It was an epiphany moment for me. Mothers, daughters, grandmothers—our connection flashed in front of me, as boldly as sunlight in my eyes.

Strong Italian Women. Authors ancestors.

There began the fourteen-year journey of researching and writing my first novel. The questions had to be answered. The stories had to be told. I was the only one to do it. Like raising a second child, I gave writing and researching my early mornings, late nights, vacations and weekends. I visited my grandmother’s sister with my tape recorder and notepad, documenting stories. I called cousins in Canada who had grown up in Fonzaso with my grandmother, asked them questions and listened. I wrote, researched and wrote some more. 

But you can’t write a novel about Italy without truly understanding the country. So, I applied for my Italian citizenship and travelled to meet family in Fonzaso and Serena del Grappa. I hired translators and consumed large amounts of coffee, polenta, eggplant parmigiana, prosecco, biscotti, wine and grappa while sitting across from elderly relatives. Their eyes glistened as they answered my questions—going back, remembering. Looking at them, I did not see age spots and grey hair; I saw them as they were in my book, when Mussolini implemented his egotistical plan and Nazis occupied their town. I shook my head time and again at their stories, the atrocities they witnessed but never mentioned, until you asked. 


Researching, author and her aunt.

It struck me when I met with them that they had stayed while so many had left. In fact, I interviewed four Italians who emigrated to the U.S. and Canada, and four who remain in or near Fonzaso after the war. It was strange to think that my grandmother was the link. When I saw her, sitting in the chair with the phone to her ear, nylons rolled down around her ankles in her housecoat, she was speaking to these people. She was keeping her connection to Italy. But the rest of my family had only known Americanness. We didn’t feel the link. Had I not had the curiosity and gone back; had I not written the novel, it is possible these connections would have been broken forever.  

My novel, Under the Light of the Italian Moon, is biographical fiction.  It takes the stories and history of my family and the times and weaves them together with a fictional thread to build a story I hope readers want to read. Like The Crown or books like The Tattooist of Auschwitz by Heather Morris and Beneath a Scarlet Sky by Mark Sullivan, real people’s lives mingle with fiction to tell stories that needed to be remembered. I worked with the best editors I could find, starting with Sally Orson-Jones and then Angela Myers, who had edited The Tattooist of Auschwitz and Cilka’s Journey. 

It took me fourteen years to write my novel. I know Under the Light of the Italian Moon would not be what it is if it had taken any less time. Over these years, I have watched my mother grow into her role as nonna. I have watched my baby girl grow into a teenager. I am more certain than ever that the strength of the world is in its women—that the path forward is through aspiring to love. 

The book is done, it published on March 8th, International Women’s Day. My grandmother helped make it happen. She is in heaven, smiling and knowing she never left me, knowing I brought her back to Italy.  


Where to buy:


Jennifer Anton

Jennifer Anton is an American/Italian dual citizen born in Joliet, Illinois and now lives between London and Lake Como, Italy. A proud advocate for women's rights and equality, she hopes to rescue women's stories from history, starting with her Italian family.

Social Media Links: WebsiteTwitter FacebookInstagramPinterestBookBubAmazon Author PageGoodreadsYouTube









Tuesday, 23 February 2021

#BookReview — From the Ashes (The Colosseum Book 1) by Melissa Addey #HistoricalFiction #AncientRome

 
From the Ashes 
(The Colosseum Book 1) 
By Melissa Addey 




Publication Date: February 4th 2021
Publisher:  Letterpress Publishing
Page Length: 318 Pages
Genre: Historical Fiction

Rome, 80AD. A gigantic new amphitheatre is being built...

The Emperor has plans for gladiatorial Games on a scale no-one has ever seen before. But the Games don’t just happen. They must be made. And Marcus, the man in charge of creating them, has just lost everything he held dear when Pompeii disappeared under the searing wrath of Vesuvius. Now it will fall to Althea, the slave woman who serves as his scribe, to ensure the Colosseum is inaugurated on time – and that Marcus makes his way out of the darkness that calls to him. First in a new series.


From the threat of Pompeii in 80AD, to the ‘glamour’ of gladiator battles in the Colosseum, be transported to ancient Rome in this fast-paced and gripping historical fiction, taking us behind-the-scenes of some of the most extravagant entertainments the Empire ever witnessed. 


There’s always a sense of foreboding in any book which starts in Pompeii. As a reader, I feel a hint of nervousness, trying to think ahead, work out who will survive the disaster, and who will not. History has shown that the numbers are not on any character’s side, after all. Here, we know that Althea and Marcus must survive, but it’s the family and friends we meet in the opening pages I worry for. We know the disaster must hit, and soon, and the sense of threat really does hang over everything. 

Following a job offer he cannot refuse, and needing a scribe to help him with it, Marcus and Althea make their farewells, and head for the capital. Marcus is initially unwilling to take up his new role, but the anticipation of buying a little farm-stead and enjoying retirement just about convinces him to take on the greatest challenge of his career. This is no small-scale dinner party, or battle in Pompeii’s arena, after all – can he really bring about the magnitude of events that the Emperor will require for the inauguration of the Colosseum? One hundred days of games and entertainments? The men making the decisions believe he can. 

There is a detailed Author’s Note at the end of this novel, which I would usually mention at the end of the review, but it’s worth raising at this point. Despite it being one of the most famous symbols of ancient Rome, there is very little, practically nothing in fact, about the people who worked ‘backstage’ at the Colosseum, at any stage, including the inaugural events. And yet, given the scale of things, there simply must have been a huge group of people behind-the-scenes. It’s wonderful then, to give these people a moment in the spotlight, rather than focusing only on the gladiators and Emperors. 

In brilliant detail, we meet the teams who paint the scenery, create the souvenirs, capture and bring in the animals, train the gladiators, supply the criminals for execution and far, far more, all under the watchful eyes of Althea and Marcus. Marcus becomes Althea’s owner, much to Althea’s surprise, early on in the story, and her skills as a scribe are soon put to much better use than they ever have been for her previous master. 

When news reaches Rome that disaster has befallen Pompeii and others (how can towns and ports just ‘vanish’, people wonder, horrified), Marcus feels he must return home, to know for certain what has happened to his loved ones. We are with him and Althea as they convince a boatman to take them down the unrecognisable coastline, and are right beside Marcus, especially as he digs through the fresh ash, desperate to find any trace of his home. The devastation of the city, and those left behind, is well-captured, and Marcus’ reaction is believable and heart-breaking. 

There is little time to mourn though, as we are thrown from one problem to another, whether that’s keeping badly-travelling giraffes alive long enough, or ensuring there are enough toilet-cleaners on hand to deal with breaks in the entertainments (it seems some things never change!). 

At a wider level, Rome itself is going through a period of upheaval, with sickness and fire both threatening the city, and taking their toll on Marcus and Althea, through the loss of colleagues and, tragically, more close friends. This is as much a story of survival against the odds, as it is the entertaining of a pampered ruler. 

Despite my best intentions, I found myself racing through this book, speeding through over half of it in one night of very poor sleep. Whether in the rural comfort of Pompeii, or walking between the ancient temples of the Forum, I felt utterly transported back in time, with the sights, smells and sounds captured at every stage. We are in the rooms when people are on their sick-beds, we sit and share family meals, and we hurry through ash-and-soot-filled streets whilst Rome burns, just days before the Colosseum is due to open. We feel the despair of Marcus as he has to come to terms with what has happened in Pompeii, and the frustration of Althea, as she and Fausta, Marcus’ right-hand-woman from his former role, are forced to cover for him during his ill-advised absences from work. And we are there as Althea grows in confidence working alongside this man who was ‘given’ her with hardly a second thought. 

The relationship between the colleagues was a particularly interesting one, and I am certainly looking forward to reading more about their upcoming challenges in the rest of the series. Marcus and Althea especially, find themselves bound together by promises to which they gave hardly any credence as they were made, and yet became binding by subsequent events. The understanding which grows feels realistic, given their circumstances, and although I knew from previous history documentaries etc. that the opening events they were preparing for were particularly violent and graphic in nature, I found myself willing them to succeed every step of the way. 

In the midst of the wealth and apparent glamour of Rome though, and the still-famous Colosseum, what appealed to me most in this story was the ‘ordinary-ness’ of it all. We have all been there – a demanding manager, staff or colleagues who can’t / won’t deliver on time, suppliers struggling to meet demands – but reading about the seemingly mundane behind something so magnificent gives a real grounding to an ancient civilisation we all feel we know, even if we’ve never studied it, just by its sheer magnitude. It makes everything feel very real and relatable, and I love that in a piece of historical fiction. 

I Highly Recommend From the Ashes (The Colosseum Book 1) by Melissa Addey.

Review by Jennifer C. Wilson.
The Coffee Pot Book Club.


Where to buy




Melissa Addey

I mainly write historical fiction, inspired by what I call ‘the footnotes of history’: forgotten stories or part-legends about interesting men and women. My first two series are set in very different eras: 18th century China and 11th century Morocco/Spain. My first novel, The Fragrant Concubine, was Editor’s Choice at the Historical Novel Society and The Cold Palace won the 2019 Novel London award.

To find out more about Melissa and her books visit her website.  You can also find Melissa on TwitterFacebook and Pinterest.

Monday, 22 February 2021

#BookReview — Forgiving Nero by Mary Ann Bernal

 

Forgiving Nero

By Mary Ann Bernal 



Publication Date: 14th February 2021
Publisher: Independently Published
Page Length: 306 Pages
Genre: Historical Fiction

Rome. The jewel of the civilized world is no longer what it was. Strength has failed the Senate. Her legions are in disarray, and the Empire has fallen into Lucius Domitius Ahenobarbus Nero’s hands. His reign begins under a cloud of scrutiny, for he is the depraved Emperor Caligula’s nephew. Nero is determined to overcome that stigma and carve a name of his own. One worthy of Rome’s illustrious history.Politics and treachery threaten to end Nero’s reign before it begins, forcing him to turn to unexpected sources for friendship and help. Many of the Praetorian Guard have watched over Nero since he was a small child, and it is in Traian that the young Emperor places his trust, despite the inherent threat of reducing his mother’s influence. Traian is the father he never had and the one man who does not judge him.When Traian secretly marries the hostage Vena, it sets in motion a collision of values as Traian comes to odds with his former charge. The whirlwind that follows will shake the very foundations of the greatest Empire the world has ever known, and survival is far from guaranteed.




I am Nero. And I am your Emperor.

Ruthless, ambitious, and determined to secure her position, Agrippina saw an opportunity and took it. Her son, Lucius, would become Emperor, and she cared not who she had to step over or kill to achieve that aim. Once her son had been named Emperor, Agrippina was determined to use his youth to her advantage, and rule through him. But she failed to see the danger of what she had created.

Traian Aelius Protacius had been assigned to protect Lucius when he had been a young, frightened boy in exile in Calabria. Lucius had been a compassionate child, a little boy desperate for love. But now, as a man, he was unrecognisable. His reign had started with such promise, but there was nothing of the boy in the Emperor who stood before him now. Traian would remain loyal to Nero—as he now liked to be called. He would be the one constant. He could not abandon him, no matter what he did, and yet nor could he save him. Instead, all he could do was watch while Nero rapidly turned away from his trusted advisors and instead listened to those who fed his ego, who bowed to his every whim, and who treated him like a god.

Deep down Nero knew that his hold on the throne would always be precarious. For in truth, the throne, like the laurel upon his head, was never meant to be his...

From a fearful young boy’s first night in the Imperial Palace to his descent into madness, Forgiving Nero by Mary Ann Bernal is the unforgettable story of one of the Roman Empire’s most notorious Emperors.

Nero is one of the infamous emperors whose history has been dictated by those who wanted to see his downfall. History, after all, is not written by the loser. Bernal does not pretend that Nero was a beloved emperor, but nor does she make him quite as monstrous as we have all been led to believe. He is a competent administrator; he takes advice from learned men such as Seneca, and although he is also greatly influenced by his mother in this story, Nero is compassionate when compassion allows. History has often accused Nero of causing the Great Fire of Rome so that he could build his ‘golden house, but Bernal argues quite rightly that this was not the case at all, and in fact, he helped those who had lost their homes—it just so happened that the fire meant he could build his palace, which in turn meant he needed money and was not afraid to demand it! Bernal has also given us a Nero who is not opposed to murder, nor is he opposed to persecution. Someone had to take the blame for the Great Fire, and the Christians just so happened to be in the wrong place at the wrong time.

I thought Bernal’s depiction of Nero’s mental health, especially his guilt at some of the things he had done, demonstrated her understanding of human fragility and how easy it is to travel down a path of self-destruction. His childlike behaviour in Greece, his instance on winning the laurels at the Olympic Games, caused his sanity and, therefore, his rule to be questioned. He acted like a spoilt child, and he was, consequently, seen as such. But underneath it all, Bernal hints there is still a frightened little boy who just wants to be held by his mother and told that everything would be alright. Bernal has taken the historical sources and picked through the myths and the lies, and has given her readers a more rounded view of Nero and his time as emperor.

The antagonist in this novel is surprisingly not Nero but his mother. Agrippina was a survivor. She had been abused but had somehow managed to turn the tables and come out on top. She used her beauty, intelligence and her ruthless ambition to achieve her aim. I thought Agrippina’s depiction was fabulously portrayed. She is this powerful woman, who not only influenced her son but allowed him to be convinced that he was divine. Unfortunately, Agrippina made the terrible mistake of thinking she could control this monstrous man she had shaped and created. Agrippina was a character that initially I felt sorry for because of the abuse she had endured, and perhaps, to some extent, that abuse explained some of her behaviour - she wants to be in a position of power so that such a thing can never happen again. However, her lack of empathy, the lies, the manipulation of information, and how she makes her son dependent on her made for some disturbing reading. The abused becomes the abuser, and Bernal asks her readers if Nero ever stood a chance to become the man he wanted to become. And in fact, there are several moments in this novel where Nero realises that the boy he was, Lucius, has been devoured by this monstrous Nero that his mother had fashioned in her image.

Honour and loyalty is a theme that runs throughout this novel. Nero’s benevolent nature and youthful desire to change the world came through on the odd occasion, such as when he helps those in need after the Great Fire. On such occasions, he behaves honourably. But there are moments when his extravagance and debauchery and his belief that he rules by Divine right means he loses track of what is honourable and what is not. He becomes confused, baffled even, as to what he is meant to be doing. He believes that he rules supreme and everyone should bow down to him. He demands loyalty, which history teaches us and Bernal shows us, never ends well.

Unlike Nero, who struggles throughout this book with what is right and what is wrong, Traian does his very best to be an honourable person, and although at times he is disloyal, not to Nero, never to him, but to another that he loves, he takes that act of disloyalty and does his best to learn from it, which I think demonstrated how vastly different Traian was to Nero. Acte, much like Traian, remains loyal to the memory of Lucius the boy and that memory she would never betray. Nero is surrounded by good people in this novel, but he is influenced by the wicked because those who wish him well, who want to help guide him to follow the right path, fear that if they upset him or his mother, they could forfeit their lives.

Religion and religious persecution are also explored in this story. Initially, the Christians are tolerated, to an extent. Through characters such as Vena, Bernal examines the dangers of practising a faith that differed so very much from Roman theology. Paul of Tarsus makes several cameo appearances in this novel, and his beliefs put him at odds with the Empire. The slaughter of the Christians after the Great Fire was incredibly harrowing, but masterfully drawn.

This story demanded all of my attention from beginning to end. The narrative was utterly enthralling, and Bernal told Nero’s story with a keen understanding of what makes history worth reading. Bernal has brought Nero back to life, and she has explored that life with a profound sweep and brilliance.

Bernal writes with such elegance and authority, not to mention with a keen attention to the historical detail, that a reader can comfortably immerse themselves in this story. Forgiving Nero by Mary Ann Bernal is a must-read for anyone who enjoys quality Historical Fiction.

I Highly Recommend.

Review by Mary Anne Yarde.
The Coffee Pot Book Club

Where to buy




Mary Ann Bernal attended Mercy College, Dobbs Ferry, NY, where she received a degree in Business Administration.  Her literary aspirations were ultimately realized when the first book of The Briton and the Dane novels was published in 2009.  In addition to writing historical fiction, Mary Ann has also authored a collection of contemporary short stories in the Scribbler Tales series. Her latest endeavor is a science fiction/fantasy novel entitled Planetary Wars Rise of an Empire. Originally hailing from New York, Mary Ann now resides in Elkhorn, Nebraska.

 

Connect with Mary Ann: Website • Whispering Legends Press • Twitter.

Tuesday, 16 February 2021

Book Review: The Secret of the Grand Hôtel du Lac by Kathryn Gauci #HistoricalFiction #WW2 @KathrynGauci

 

The Secret of the Grand Hôtel du Lac

By Kathryn Gauci



Publication Date: 1st December 2020
Publisher:  Ebony Publishing
Page Length: 272 Pages
Genre: Historical Fiction / World War II

February 1944. 

Preparations for the D-Day invasion are well advanced. When contact with Belvedere, one of the Resistance networks in the Jura region of Eastern France, is lost, Elizabeth Maxwell, is sent back to the region to find the head of the network, her husband Guy Maxwell.

It soon becomes clear that the network has been betrayed. An RAF airdrop of supplies was ambushed by the Gestapo, and many members of the Resistance have been killed. 

Surrounded on all sides by the brutal Gestapo and the French Milice, and under constant danger of betrayal, Elizabeth must unmask the traitor in their midst, find her husband, and help him to rebuild Belvedere in time for SOE operations in support of D-Day.



Someone had betrayed them. That much was clear: but who?

When Elizabeth Maxwell was summoned to 64 Baker Street, London, she had hoped to hear news of her husband. To her horror, she learns that the Gestapo and the French Milice had ambushed an RAF airdrop of supplies to the Belvedere Resistance. Many Resistance fighters had been killed, and there had been no communication from the head of the Belvedere Resistance - Guy Maxwell, Elizabeth’s husband.

Having at first frowned upon Elizabeth’s marriage to Guy (for emotional entanglement between agents was discouraged) Colonel Maurice Buckmaster, the head of F Section of the Special Operations, now wants Elizabeth to go back into the field and find out exactly what had happened.

Desperate to find out if her husband is dead or alive, Elizabeth willingly agrees. She had worked as a courier for the Belvedere Resistance six months previously, and she knew the area well. It soon became apparent to Elizabeth that there was a traitor in their midst. But unearthing the traitor seemed nearly as impossible as finding out what had happened to her husband and the other members of the Resistance who had survived the vicious attack.

Elizabeth is all too aware that time is against her. The Belvedere Resistance must be in a position where they could support the Allied forces by use of sabotage and subversion to undermine the German occupying forces in time for D-Day.

Inspired by historical events and people, The Secret of the Grand Hôtel du Lac by Kathryn Gauci is an enthralling story that held me captivated from the very first sentence to the final full stop. Gauci has depicted an extremely violent time with an intuitive understanding of what makes history worth reading. This is a novel that does not threaten to mesmerise, it does.

Elizabeth is a character that I came to adore. She is a remarkably strong woman who takes incredible risks to find out what exactly happened. Her determination to discover if her husband is alive or dead was heart-rendering. However, Elizabeth tries to put her personal fears aside, for she has a job to do, and she is determined to do it. I don’t think I would have been as brave as Elizabeth if I found myself in such a situation, but Elizabeth remains clear-headed throughout, which saves her life on more than one occasion. She also gets on with life, despite what is happening around her. If she needs a new dress, she will make one. If a friend needs help with a medical emergency (Elizabeth is a trained nurse), she will change her plans to ensure those in need, received her help. However, there were moments where Elizabeth surprised me. For someone who came across as exceedingly gentle, she could also be coldly ruthless.

The other protagonist in this novel is Guy, but to speak of him would be to give away some spoilers and that I will not do. If you want to find out the truth about what happened that terrible night, then you will have to read the book!

Throughout this novel, Gauci explores the chaotic, not to mention the senseless brutality of warfare. The German occupying forces are determined to keep control of the populous - their weapon of choice being fear by using threats, torture, deportation and, in many cases, murder. However, there are times where the Resistance is equally brutal, as unfeeling and unforgiving. Thus reminding the reader that this is a war story, and that society’s normal rules, society’s code of morality, are swept aside. On both sides, there seemed to be a dehumanisation of those who threatened, or at least might threaten, their end goal. This meant that the general populous found themselves stuck between a rock and a hard place with no control of their destiny, let alone their immediate future. But still, they try to get on with life. They try to bring some normality to this abnormal time. With hindsight, it is remarkably easy to judge those who collaborated with the enemy, but Gauci asks her readers if it was your family that was threatened, what would you do? Being a patriot may sound romantic and heroic, but when you are faced with an unimaginably difficult decision, it is easy to see why patriotism flew out the window, along with honour and loyalty.

Gauci has depicted this era’s immense suffering with an accomplished author’s skill and an empathetic understanding of human nature. So, although the Germans and the French Milice are the antagonists in this novel, Gauci does not whitewash the actions and the lengths that the Resistance were prepared to go to. There are some scenes of torture and murder in this novel that are incredibly distressing. But this was a brutal period of history, and although I deplored what the Germans did, I found myself not wanting to forgive what the Resistance did either. And although it is anger and betrayal that is behind the Resistance’s lack of humanity, it does give the reader pause for thought, and it also reminds them that there were unforgivable and deplorable acts carried out on both sides.

Gauci also explores the question of morality in this novel. The fact that there were some people who were more than willing to exploit others for their own financial gain should come as no surprise, but for some reason, I actually found it surprising. We often hear stories of remarkable courage where members of the general population hid their Jewish neighbours and friends at significant personal risk, but I have never read a story where there were unscrupulous people who exploited those whose situations were precarious. Although this type of profiteering is mentioned only briefly in this novel, it certainly struck a chord.

The distinction between appearance and reality is often a profoundly blurred line throughout the length of this book. The Resistance was successful because of its secretive nature, and because of its skill of its agents in infiltrating and gaining the trust of the enemy. The emotional terminal and abuse that these people endured from the very people they were actually helping really drove home the fact that appearance was not always what it seemed.

The attention to the historical detail has to be commended. The hours of research that have gone into this novel shine clearly through every carefully crafted sentence. Gauci knows this era well, and her dedicated research has certainly paid off, for it is a vivid and historically accurate world in which she has placed her characters.

This novel is an emotional read, and yet it is also a profoundly truthful depiction of the era and the role that the Resistance had to play in the success of the Allied invasion of France.

The Secret of the Grand Hôtel du Lac by Kathryn Gauci is a novel that once started is extremely difficult to turn away from. This is a book that demands to be read in one sitting. If you enjoy quality Historical Fiction set during World War II, then this book should certainly have a place upon your bookshelf.

Review by Mary Anne Yarde.
The Coffee Pot Book Club.

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Kathryn Gauci was born in Leicestershire, England, and studied textile design at Loughborough College of Art and later at Kidderminster College of Art and Design where she specialised in carpet design and technology. After graduating, Kathryn spent a year in Vienna, Austria before moving to Greece where she worked as a carpet designer in Athens for six years. There followed another brief period in New Zealand before eventually settling in Melbourne, Australia.

Before turning to writing full-time, Kathryn ran her own textile design studio in Melbourne for over fifteen years, work which she enjoyed tremendously as it allowed her the luxury of travelling worldwide, often taking her off the beaten track and exploring other cultures. The Embroiderer is her first novel; a culmination of those wonderful years of design and travel, and especially of those glorious years in her youth living and working in Greece – a place that she is proud to call her spiritual home.

Her second novel, Conspiracy of Lies, is set in France during WWII. It is based on the stories of real life agents in the service of the Special Operations Executive and The Resistance under Nazi occupied Europe. To put one’s life on the line for your country in the pursuit of freedom took immense courage and many never survived. Kathryn’s interest in WWII started when she lived in Vienna and has continued ever since. She is a regular visitor to France and has spent time in several of the areas in which this novel is set.

Connect with Kathryn: Website • Twitter • Goodreads.



Check out Richard Tearle's fabulous new book — The North Finchley Writers’ Group #ContemporaryRomance #BlogTour #CoffeePotBookClub

 




The North Finchley Writers’ Group 

By Richard Tearle, with Helen Hollick



When a group of north London writers meet each month for a chat, coffee, and cake – what else is on their agenda? Constructive criticism? New Ideas? An exciting project? And maybe, more than one prospective romance...?

Eavesdrop on the monthly meetings of the North Finchley Writers' Group, follow some ordinary people with a love of story writing, and an eagerness for success. Discover, along with them, the mysteries of creating characters and plot, of what inspires ideas, and how real life can, occasionally, divert the dream...


Excerpt


LET ME INTRODUCE MYSELF

My name – my personal and professional name – is Rob Taylor and I'm a writer. 

It is rather strange to state that as a fact after years of scribbling, despair at rejections tempered by moments of high elation when one of my stories was accepted by a respected magazine. But I can state it as a truth now, for I write regularly for several publications, and my first compilation has recently been published with a fixed contract for two more to follow. At the moment, I write short stories, but more than a few friends have encouraged me with prompts such as “You have a novel in you, you know,” and, “A short story has the potential to be a novel writ long.” I am working on the idea.

But enough of that.

About a year or so ago, I was unexpectedly made redundant. Jobless, but with a good-enough redundancy bank balance to keep me going for a bit, and a determination to do what I wanted to do – write – I took the plunge and converted the spare bedroom into a study. I started writing full time and joined the North Finchley Writers' Group, where I met some lovely people who, one way or another, gave me the encouragement to develop my ideas.

All to my satisfaction, but my wife's dismay. 

The members of our writers’ group are a very mixed bunch, as you will find out. We meet every month at a different house and whoever is the host gets to provide tea and coffee – often with cake or ‘light snacks’ – and chooses a topic for discussion. We talk, voice opinions and yes, sometimes we argue. But it is all forgotten when we walk away into the night.

Mostly.

They've had quite a turnover of members over the years. Some who came for a couple of meetings and then disappear. Some who weren't really writers but 'dabble' and think that attending a writers' group meeting makes them one. They never last long. Some have moved along and, sadly, one or two have passed on to the great Library in the Sky. Nowadays we have about a dozen or so regulars. There are one or two who are deliberately obstructive. Outspoken.  Single minded. Cantankerous. 

Some are shy and introvert and, in truth, offer little. But they listen and learn, and that is what we are all there for. To learn from others, be they best sellers or unpublished writers. Because, whatever our differences, we stick together and, if anyone is down, we stand by them and offer encouragement. If someone is on a high, then we enthuse in their success.

Most of us, anyway.

We do have a few Best Sellers. Angela Knight, for example, and Zak Nichols. Charlotte Caroll is more than adept at Regency romances, (not my bag, but, well, credit where credit's due) and Jean Hart uses her history degree to good effect, as does Hilary Jackson, albeit covering a different period of time.

I'll introduce them all properly as we go along...


Pick up your copy of

The North Finchley Writers’ Group 

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A Word From Richard Tearle 



“To the writing community, whether they be traditionally published, indie or aspiring.  

You make the rocking world go round...Writers are such a wonderful community – supportive, helpful and ever willing to give their time and expertise to one humble chap such as I. Thank you all from the bottom of my heart. Thank you. Thank you. Thank you.”

Richard – December 2020


 A Word From Helen Hollick




It was with great enthusiasm that I encouraged Richard to write this, his first novel. His enjoyment of creating a good story, I felt, should be shared to readers and writers, everywhere. Unfortunately, at the editing stage, Richard became ill, involving hospitalisation. In discussion with his son, rather than abandon the project or put it on hold, we decided that the best course of action was for me to continue with getting this book published on his behalf. The characters, plot – the story – are all Richard’s immense talent, I merely tidied up and added the final polish, coming in as ‘painter and decorator’ to Richard’s main role as architect, designer, and builder. 


Social Media Links:

Richard:

Website 


Helen:

Twitter • Instagram








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  Marie Conner – A Leading Lady Her Life and Civic Leadership in a Bygone Era By Elle Mott Publication Date: February 11th, 2026 Publisher: ...